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Lewis Hannaby

After graduating with a First-Class honours degree in Technical Theatre Arts at the Guildhall School of Music and Drama, Lewis began his working career as a Lighting Technician for the prestigious Royal Shakespeare Company where he helped create many of the bespoke lighting effects seen on stage. Since embarking on his lighting career, Lewis has worked as a lighting designer, technical consultant and technician for many theatrical and arts events across the UK. While expanding his design and technical skills in the fast-paced world of the live arts, Lewis quickly gained a reputation for elegant and practical designs.

Some of Lewis’ lighting design credits include: Objects of Desire, The Design Museum (Beam LD) 2022 | Defaced!, Fitzwilliam Museum (Beam LD) 2022 | The world of ASMR, The Design Museum (Beam LD) 2022 | Feminine Power, The British Museum (Beam LD) 2022 | Blue Sky White, 180 Strand (Es Devlin) 2021 | Orfeo edEuridice & Zanetto, Arcola (Barefoot Opera) 2021, | Turn of the Screw, Wilton’s Music Hall (Opera Glassworks, Marquee TV & BBC) 2020 | Macbeth, Opéra de Dijon (Consultancy for LD Andrew May) 2019 | I Capuleti e I Montecchi, Arcola (Over the Pond Productions) 2019 | Spring Opera Scenes, (Guildhall) 2019 | The Last Days of Judas Iscariot, (Guildhall) 2018.