Due to unforeseen and unexpected circumstances, Buxton Opera House and English Touring Opera were unable to agree a deal which guaranteed ETO a sufficient level of income to enable the visit to go ahead as originally planned.
Buxton Opera House is a much beloved venue for ETO and we will continue to discuss with the theatre how best to secure a return in future ETO seasons.
In the meantime, the nearest venue to Buxton on ETO’s Spring 2014 tour is Sheffield Theatres, which is 27 miles away. In Sheffield we will be performing The Magic Flute on Friday 11 April and King Priam on Saturday 12 April.
English Touring Opera’s opera for young people, Laika the Spacedog, has won two awards at a major international opera festival.
Laika the Spacedog was awarded the International Jury Prize for Best Production at the Armel Opera Competition, part of the Armel Opera Festival in Szeged, Hungary. The opera saw off competition from productions of Stravinsky’s Oedipus Rex, Verdi’s Simon Boccanegra and Britten’s The Turn of the Screw.
ETO’s production, with music by Russell Hepplewhite and words and direction by Tim Yealland, also received the University of Szeged prize for Best Production at the award ceremony, which took place on Tuesday 15 October.
The opera itself was performed in Szeged, and streamed live on the TV Network ARTE, on Monday 14 October – click the picture above to watch the performance again.
Laika is both the first ever British opera and the first opera for children to win the Armel Opera Competition’s prize for Best Production. Two of the roles in the opera were performed by Nicholas Rigas and Sarah Laulan, singers competing in the festival in their own right.
The opera that tells the story of Laika, the Russian mongrel discovered in Gorky Park in Moscow in 1957, and destined to become the first animal in orbit.
The show opened with a sell-out week of performances in January 2013 at the Science Museum in London, before touring to schools and theatres across the country alongside ETO’s full-length Spring 2013 operas, with a cast of singers drawn from the company’s main-stage shows.
The Armel Opera Festival was established in 2008 in Szeged, in southern Hungary, and judges singers on their ability to excel in all aspects of opera performance, including not only singing but also stage movement and acting. The Festival therefore stages performances each year of five new productions, in cooperation with opera companies and opera houses in five different countries, before awarding prizes to the winning production and singers.
The international jury this year for the Armel Opera Competition included Raymond Duffaut, General Director of the Chorégies d’Orange; Guy Coolen, the Artistic Director of the Operadagen Rotterdam Festival; Fabrizio Melano, Stage Director of the Metropolitan Opera House; and Henry Little, the Chief Executive of Orchestras Live and Chairman of the UK’s National Opera Coordinating Committee.
Tim Yealland, ETO’s Artistic Associate for Education, said: ‘We were thrilled to be able to take Laika to the magnificent theatre in Szeged, and for the juries to suspend their disbelief to trust in the power and value of opera for children.’
Ágnes Havas, Director of the Armel Opera Festival, said: ‘Laika the Spacedog was chosen to be presented at the Festival because this kind of work that shows the children the world and genre of opera in an interactive way does not exist in Hungary. That is the reason why we wanted to present it on a large stage, to show the public what is possible with this creative and effective piece. Moreover, the important acting skills that this opera requires from the singers is perfectly in line with the Armel Festival’s philosophy.Congratulations to English Touring Opera!’
We are now working to build on this success with a new opera for young audiences in spring 2014 called Borka. To find out how you can play a vital role in making Borka come to life, please click here
Let us know what you think of the Laika recording above: tweet us at @etopera or post a comment on Facebook
Click here for more information on Laika the Spacedog.
Browse a gallery of pictures from the original show below:
Laika the Spacedog is a new children’s opera written and directed by Tim Yealland and composed by Russell Hepplewhite for ETO’s spring 2013 tour. It tells the story of Laika, the Russian mongrel discovered in Gorky Park in Moscow in 1957, and destined to become the first animal in orbit.
After a preview for BBC Stargazing Live at the National Maritime Museum in Greenwich in January 2013, Laika opened with a sell-out week of performances at the Science Museum in London.
The opera was awarded the PRS David Bedford Music Education Award in 2013 as an exceptional music education project for primary school children and family audiences.
Following its successful UK tour, Laika is now landing in Hungary, where English Touring Opera will give a special performance as part of the Armel Opera Festival in Szeged on Monday 14 October.
The performance will be broadcast live at 6:10pm on the ARTE website, where it will also be available to watch until April 2014. To watch the live web broadcast, please follow this link
A public vote is also open to select the festival’s best-loved production. Please support ETO’s cast and crew by going to the ARTE website and voting for Laika the Spacedog as this year’s public favourite. CLICKHERE to vote.
ETO’s Autumn 2012 nationwide tour, produced in collaboration with Aurora Orchestra , presented three very different, highly dramatic twentieth century operas – Benjamin Britten’s Albert Herring, The Lighthouse by Sir Peter Maxwell Davies, The Emperor of Atlantis by Viktor Ullmann – and, paired with Ullmann’s opera, a staged performance of the Bach cantata Christ lag in Todesbanden.
All three productions aimed both to delight seasoned opera-goers and to offer an exciting way into opera for those new to the art-form, through dance, drama and song.
The season has already won a Whatsonstage.com Opera award for ‘Most Outstanding Contribution to London’s Operatic Scene’, and was shortlisted for the RPS Music Award for Opera and Music Theatre.
The UK Theatre Awards are the only nationwide awards to honour creative excellence and the outstanding achievement seen on and off stage throughout England, Scotland, Wales and Northern Ireland.
The Awards will be presented on Sunday 20 October at a lunchtime ceremony at London’s historic Guildhall.
The current trend for large opera companies to broadcast their work in cinemas has changed the audience experience of opera. Now English Touring Opera is teaming up with researchers at the Guildhall School of Music & Drama for the first academic study of the phenomenon in the UK.
180 UK cinemas now regularly broadcast the Met Opera Live in HD series, with an ever-expanding list of more than 200 cinemas also broadcasting the Royal Opera House’s cinema season. The research will explore the appeal of live opera and cinema broadcasts, if the emotional experience for audiences differs, and if lessons from the success of the cinema broadcasts can be used to increase the audience for live opera.
The research is funded by Creativeworks London, which brings together creative businesses and academic institutions based in London to increase growth in the creative economy. The lead researcher is Professor John Sloboda, director of the Guildhall School of Music & Drama’s Understanding Audiences research programme.
Research in cinemas and theatres will take place between October and December, 2013, with the findings being announced in early 2014.
The Barbican is involved as initial research partner. Cinema companies that would like to know more about their audiences for opera cinema broadcasts are invited to participate in the research. For more information on this opportunity please contact English Touring Opera on 0207 833 2555.
The finalists for this year’s Linbury Prize, the UK’s most prestigious award for Stage Design, include three graduates designing for ETO’s Spring 2015 production of Donizetti’s great rare work Il furioso all’isola di San Domingo.
Florence de Mare (RADA), Rosanna Vize (Bristol Old Vic Theatre School), and Faye Bradley (also Bristol Old Vic Theatre School) will all work on the early stages of the design for ETO’s production. One of the three will subsequently win a commission to realise their design.
ll furioso all’isola di San Domingo is recognised as one of Donizetti’s very greatest works, though it has only been performed twice in the UK, and never outside of London.
In the opera, a poor fool, with periods of great lucidity, subsists on a Caribbean island in a community of farmers and slaves. The clash of cultures, dream-like isolation, storm sequence, and unusually existential discourse make this a very special design opportunity.
The Linbury Prize for Stage Design was founded by Lady Anya Sainsbury in 1987 as a springboard for recent graduates from theatre design courses around the UK. It gives applicants an unparalleled opportunity to work with professional arts companies and to collaborate with writers, directors and technical teams at a crucial stage in their careers.
The Linbury Prize for Stage Design is sponsored by the Linbury Trust, one of the Sainsbury Family Charitable Trusts. On the judging panel this year are renowned designers Es Devlin, John Macfarlane and Christopher Oram.
ETO soloists Paula Sides (Despina in our current production of Così fan tutte) and Cozmin Sime (Edward III in The Siege of Calais) will sing a selection of arias and duets from operas including The Magic Flute, La traviata, Eugene Onegin and Handel’s Agrippina.
Everyman Theatre, Cheltenham is upgrading its box office system from Sunday 28 April – Wednesday 1 May: during this time ticket sales will be suspended.
The box office is scheduled to re-open at midday on Wednesday 1 May.
Customers wishing to purchase tickets for ETO’s performances of Cosi fan tutte on Tuesday 30 April and Simon Boccanegra on Wednesday 1 May may do so in person on the day of the event at the Everyman Theatre box office.
Please note that during the upgrade period sales at the box office will be cash only.
The season saw ETO collaborating with Aurora Orchestra on a nationwide tour of three highly theatrical twentieth-century operas – one paired with a staging of an eighteenth-century cantata.
The tour extended the company’s mission to bring opera to all by presenting opportunities for audiences at regional theatres and opera houses to see full-scale performances of strongly diverse and unusual works.
ETO has been nominated for RPS Music awards in the past, but this is the first time the company has been shortlisted for the Opera and Music Theatre award. It is also rare that RPS chooses to celebrate a season of work, rather than individual operas.
The annual RPS Music Awards, presented in association with BBC Radio 3, are the highest recognition for live classical music in the UK. Awards, in thirteen categories, are decided by independent panels consisting of some of the music industry’s most distinguished practitioners.
The awards honour musicians, composers, writers, broadcasters and inspirational arts organisations. The list of previous winners reads like a Who’s Who of classical music.
This year’s RPS Music Awards celebrate outstanding achievement in 2012. The winners of all thirteen categories are revealed in May at a dinner at the Dorchester Hotel, London. The Opera and Music Theatre award is donated by the Incorporated Society of Musicians.
James Conway, ETO’s General Director, said: “I am honoured and delighted that the RPS has acknowledged our extraordinary – and risky – Autumn season of opera. Apart from scale, the three operas could hardly be more different, and we succeeded at least inasmuch as the productions reflected this.”
He added: “The most important award for this season was the warm and reassuring response of audiences all around the country. They said to us, in effect – ‘we aren’t in London, but we are relieved you take us seriously!’ ETO does take opera seriously – and the recognition of the RPS is very gratifying.”
John Harte, Chief Executive of Aurora Orchestra, said: “It’s difficult to overstate the importance of English Touring Opera’s contribution to the UK’s musical landscape. The autumn 2012 season seemed to me to epitomise the very best of what the company offers: outstanding quality; bold and innovative programming; and an ambitious commitment to the development of new audiences.”
He added: ‘In any circumstances we’d have been delighted to be part of three wonderful new productions, but ETO’s achievement in bringing these operas to such a wide and varied national audience meant that this was a particularly special project.’
People with dementia are tuning up for their moment in the spotlight as they work with English Touring Opera to put on a musical showcase at Wolverhampton’s Grand Theatre.
They are penning their own songs to take part in Turtle Song, a project also involving WAVE – the museums, galleries and archives of Wolverhampton – and Wolverhampton City Council’s older people’s service.
Working with a writer, composer and musicians from ETO and taking their inspiration from pieces of art from WAVE’s collection, up to 30 people with dementia are busy writing their lyrics and music which will be performed before a specially-invited audience of family and friends at the Grand Theatre in April.
The arts, and particularly music, can have a profound effect on people with dementia, benefitting their health and well-being in many ways including helping to delay the progress of the disease.
Thanh Sinden, WAVE’s Arts and Social Care Coordinator, said: “Through our Arts and Social Care programme we’re seen that engaging people with the arts really transforms the lives of people with dementia – and this project is proving to be no different.
“We’ve held two writing sessions so far and those who have taken part are doing really well – they are getting fully involved and contributing to the composition of the songs.
“We’ve almost finished the first couple of songs, one which has been inspired by keys from our collection and the other inspired by masks from Africa and the Pacific Islands, and we’ll be working on more over the coming weeks.”
The collaboration continues over the coming weeks with regular writing sessions at the Molineux Hotel, and the final piece is due to be premiered at the Grand Theatre on Wednesday 17 April, 2013.
#Lovetheatreday is a celebration of all things stage. For a production to take place, many bees are working behind th...Read more
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