For the last thirty years Andrew has been singing principal roles with UK opera companies. Thanks to the solid singing technique provided by the RNCM in the 1980s his voice has remained fresh as the odd grey hair has arrived, and he now looks and sounds ideal for the low voice roles of nobility or malevolence which abound in the repertoire. He is also good as the fat funny bloke. There is, in fact a role to suit him in almost every opera. He is eternally good humoured – taking as a blessing that his job is the activity he would do for fun around a conventional career.