Flavio Trailer from Sebastian Stern on Vimeo.

Flavio

Handel - Handelfest

Director 
James Conway
Conductor 
Jonathan Peter Kenny
Designer 
Joanna Parker
Lighting Designer 
Kevin Treacy

Flavio will be revived in Autumn 2011’s festival of baroque opera

Flavio is a semi-seria – which means in this case that it blends one very serious, high minded story with a comic plot, and that it resolves in jubilation. Flavio (incidentally the son of Rodelinda and Bertarido, the protagonists of Handel’s great Rodelinda) is a dilettante king, his tendency to infatuation reminiscent of the younger Hanoverian kings of Handel’s England. This highly original opera opens with a duet of promiscuous lovers, rather like Romeo and Juliet at dawn, and proceeds by way of garrotting to general celebration in with one of Handel’s most joyous choruses. ETO’s production, in period costume, on Joanna Parker’s lucid blue set, pays due respect to every mood swing in this lively opera.

Running time 2 hours and 45 minutes including 2 intervals

a highly enjoyable evening, well worth catching, along with the rest of Handelfest

George Hall, The Stage

Showing At

  1. Britten Theatre, Royal College of Music, London
    15th Oct 2009 - 7:30 pm
  2. Britten Theatre, Royal College of Music, London
    21st Oct 2009 - 7:30 pm
  3. Malvern Theatres
    27th Oct 2009 - 7:30 pm
  4. Exeter Northcott Theatre
    3rd Nov 2009 - 7:30 pm
  5. Snape Maltings Concert Hall
    14th Nov 2009 - 7:30 pm
  6. Cambridge Arts Theatre
    17th Nov 2009 - 7:30 pm
  1. Britten Theatre, Royal College of Music, London — 15th Oct 2009 - 7:30 pm

    Prince Consort Road, South Kensington, London, SW7 2BS

  2. Britten Theatre, Royal College of Music, London — 21st Oct 2009 - 7:30 pm

    Prince Consort Road, South Kensington, London, SW7 2BS

  3. Malvern Theatres — 27th Oct 2009 - 7:30 pm

    Malvern Theatres, Grange Road, Malvern, Worcestershire, WR14 3HB

  4. Exeter Northcott Theatre — 3rd Nov 2009 - 7:30 pm

    Exeter Northcott, Stocker Road, Exeter, EX4 4QB

  5. Snape Maltings Concert Hall — 14th Nov 2009 - 7:30 pm

    Aldeburgh Music, Snape Maltings Concert Hall, Snape, Suffolk, IP17 1SP

  6. Cambridge Arts Theatre — 17th Nov 2009 - 7:30 pm

    6 St Edward's Passage, Cambridge, CB2 3PJ

James Conway

James Conway

Director

As General Director of ETO for 17 years and ETO’s Artistic Director since April 2019, James Conway has directed productions of operas by Monteverdi, Handel, Mozart, Donizetti, Janácek, Puccini, Debussy, Ullmann, Britten and Tippett, as well as a world premiere by Alexander Goehr. Before coming to ETO he was General Director of Opera Theatre Company in Dublin; his productions for that company travelled to New York (Brooklyn Academy of Music), and to festivals in Melbourne, London, Buxton, Paris, Dusseldorf, Prague, Brno, Lisbon and Porto. Notable among his freelance directing is the long-running production of The Cunning Little Vixen at the Janácek Theatre, Brno.

Jonathan Peter Kenny

Jonathan Peter Kenny

Conductor

Jonathan Peter Kenny is from Liverpool. Conducting appearances include Flavio, Xerxes, Agrippina, Ottone, Iphigénie en Tauride, Giulio Cesare, Johannes-Passion, Mass in B minor, Matthäus-Passion (ETO), Cesare, Rinaldo, Radamisto, Alcina, Serse (Lucca),The Duchess of Malfi (Royal and Derngate), Stabat Mater (Dorothy Cross/OTC), Orfeo, Dido (RCM), Anxiety Fanfare (Kings Place, RFH), Memorial (London Barbican, Adelaide Festival, Brisbane Festival). He has performed with ROH, ENO, Glyndebourne, Salzburg Festival, Royal Opera Copenhagen, Teatro comunale Bologna, Glimmerglass NY, BBC Proms, AAM, OAE, EBS, RLPO, RSNO, UO, Gabrieli Consort, with Gardiner, Hickox, Fischer, Parrott, Mortensen, Bolton, and Bicket. Recordings include: Matthäus-Passion (Miller/Goodwin), Agrippina (Gardiner), Buxtehude Cantatas (Immerseel), Puccini Requiem (Fontaine). His edition of Handel’s Tamerlano has been produced in Dublin, Melbourne, Lisbon, and London.

Joanna Parker

Joanna Parker

Designer

Designs for theatre, opera and dance. Joanna’s opera engagements include The Rape of Lucretia (RCM); Flavio, Eugene Onegin, Falstaff, Alcina, Le nozze di Figaro, A Midsummer Night’s Dream and The Cunning Little Vixen (all ETO). She has also worked with the ROH, SO, and OTC Dublin.

Joanna’s designs for theatre include The Young Vic, Hampstead Theatre, West Yorkshire Playhouse, Salisbury Playhouse and The Lyric Hammersmith. She designed The Noise of Time for Theatre de Complicité at the Lincoln Centre NY, Barbican Centre London and European Festivals.

Dance designs include Cholmondeleys, Shobana Jeyasingh Dance Company and London Contemporary Dance Theatre. She is Senior Lecturer in Scenography at Central School of Speech and Drama.

Kevin Treacy

Kevin Treacy

Lighting Designer

Kevin’s designs include The Shawshank Redemption (Wyndhams Theatre, West End); The Nose (The Performance Corporation – winner for Best Lighting Design, Irish Times Theatre Awards for 2008); Dr. Ledbetter’s Experiment (Edinburgh Fringe Festival and Kilkenny Festival); The Yokohama Delegation (Kilkenny Festival); Drive-By (Dublin Fringe Festival and Canterbury Festival); This is our Youth (Bedrock Productions); Il barbiere di Siviglia, Don Giovanni, Rigoletto, Hänsel und Gretel, Les contes d’Hoffmann, Il viaggio a Reims, Pagliacci, The Medium and Suor Angelica (Wexford Festival Opera 2002-2008); La Tragédie de Carmen (WFO and ETO – nominated Best Opera, Irish Times Theatre Awards 2007); The Little Magic Flute (ETO and OTC); The Kiss, Hänsel und Gretel, Il barbiere di Siviglia and Xerxes (OTC).

Cast

Paula Sides

Paula Sides

Soprano

Emilia

Recently applauded for her performance of Donna Anna with Longborough Festival Opera, Paula Sides has performed on stages and concert platforms across the UK, the United States and Europe. She was awarded the Tagor Gold Medal from the Royal College of Music, and was the winner of the Karavoitis Prize in the Les Azureal International Competition.

Recent roles include Giulietta in Verdi’s Un Giorno di Regno, as well as the title role in Massenet’s Thais with Chelsea Opera Group, Elettra in Mozart’s Idomeneo for English Touring Opera, and Cunegonde in Bernstein’s Candide for Iford Arts. Other roles include Tosca, Mimi La Boheme, Lauretta Gianni Schicchi, Eleonora L’Assedio di Calais, Gilda Rigoletto, Poppea Aggripina, and Calisto La Calisto.

Paula has performed under the baton of Richard Farnes in Vaughan Williams Symphony No. 7 Antarctica with the Stavanger Symfonikor as well as with the Opera North Orchestra. Other concert highlights include Strauss Four Last Songs, Mahler 8 at Ely Cathedral with Timothy Redmond and with David Hill with Opera North Symphony Orchestra, Mahler 2, Rossini’s Stabat Mater, Mozart’s Requiem, Beethoven’s Missa Solemnis and Mass in C, Dvořák Te Deum, and Britten’s War Requiem with the Southampton Philharmonic and London Mozart Players.

Paula was born in Tennessee, and has long since made London her home. She is also a passionate singing teacher who has experience working in the Voice Clinic.

Angelica Voje

Angelica Voje

Mezzo Soprano

Vitige

Angelica studied in Norway; Bel Canto Scandinavia, Denmark; RCM and the BBIOS. In 2006/7 she was the recipient of the Opperby-Stokowski Scholarship and in 2006 she also was given the Young Musician of the Year award from the Odd Fellow Slagelse, Denmark. Angelica is currently a member of the International Opera Studio Zurich. Opera roles include Fox/ The Cunning Little Vixen; Cherubino/ Le nozze di Figaro, Teseo/ Teseo, Waltraute/ Die Walküre, Waltraute/ Wellgunde/ Nibelungen for Children and as a soloist in the ballet version of Peer Gynt (Opernhaus Zurich). Future engagements include Bregenzer Festspiele/ Das Portrait – a new opera by Mieczyslaw Weinberg. Concert performances include Rossini Petite Messe Solennelle and Haydn Missa in tempore belli (Bath Philharmonia).

Carolyn Dobbin

Carolyn Dobbin

soprano

Teodata

Carrickfergus born mezzo- soprano and Samling scholar, trained at the RSAMD and on the YAP of OTC in Dublin in 2006.

Carolyn has worked with many UK and Swiss Opera companies. Repertoire includes, Lucretia/ The Rape of Lucretia, Carmen, Alisa / Lucia di Lammermoor, Bradamante / Alcina, Teodata / Flavio, Lisetta / Il mondo della luna, Dorabella / Così fan tutte( radio3), Second Lady / The Magic Flute, Idamante/Idomeno, Nicklaus / The Tales of Hoffmann, Dido and First Witch / Dido and Aeneas, Ottavia/ The coronation of Poppea, Cherubino / La nozze di Figaro, Concepcion / L’heure espagnole, Orlofsky / Die Fledermaus and Maddalena / Rigoletto, flora / La traviata, Janet / The Doctor’s Tale for ROH2, Scipio / Caligula (radio3) and Hannah / The Passenger both for ENO, Andronico / Tamerlano, Meg Page / Falstaff for OHP, Emilia / Otello for DO, Maddalena / Rigoletto and Polina/ Pique Dame for GPO. During 2010 Carolyn was a WNO Associate Artist and the recipient of the WNO Chris Ball Bursary and the Sir John Moores Award.
Her recordings include Lynne Plowman’s Cries Like Silence (London Mozart Players).

Roles at Lucerne Theatre – Penelope / Il ritorno d’Ulisse, Annio / La clemenza di Tito, Tisbe / La cenerentola, Lidwina/ Fraulein Bixel und Herr Glück, Flora Bervoix / La traviata. Bradamante/ Alcina, and the title role of Carmen. She made her debut for Bern Stadtheater as Annina & Flora/ La Traviata.
Recent and future engagements include the roles of Polina/Pique Dame, Emilia in Rossinis Othello -Buxton Festival, Elgars ‘Dream of Gerontius’ ,Title role The rape of Lucretia for IYO, Fatima/ Oberon NSO, The Page / Salome for OperaNI and The Verdi Requiem, Third Lady in Magic flute in Switzerland, Angelina in La Cenerentola, Devils jukebox for ON, and the role of Charlotte in Werther for ETO. www.carolyndobbin.com

Clint van der Linde

Clint van der Linde

Counter tenor

Flavio

Clint’s opera and concert work has taken him to Australia, NZ, SA, US, Israel, Japan and through out Western and Central Europe. In Festivals including BBC proms (Royal Albert Hall), Mostly Mozart Festival at the Alice Tully Hall(NYC), Bach Festival Leipzich, Wellington Festival(NZ) and Edinbugh Festival. Collaborating with the AAM, The Goettingen Festspieler Orchestra, Il Fondamento, the Hanover Band, the Israel Camerata, the King`s Consort, the LHO, LMN, the OAE, the RPO the Salzburg Camerata, Stuttgart Baroque Orchestra, Melbourne Symphony Orchestra and Bach Collegium Japan. Conducters, Masaaki Suzuki, Stephen Layton, Sir Roger Norrington, Frieder Bernius, Nicholas Kraemer, Stephen Cleobury, Peter Schreier, Wolfgang Katchner, George Petrou, Leonardo Alarcon and Paul Dombrecht.

James Laing

James Laing

Counter tenor

Guido

James studied at RCM and was selected by OPERA NOW as amongst ‘Who’s Hot’ for his performance as Nerone/ Agrippina at the London Handel Festival. Operatic engagements include Giuliano/ Eliogabalo (GPO); Andronico/ Tamerlano (Opera by Definition); Ascanio/ Ascanio in Alba (Classical Opera Company); Oberon/ A Midsummer Night’s Dream (ON); Medoro/ Orlando (Early Opera Company). Concert engagements include Handel Messiah (both Choeur de Chambre de Namur and Hallé); J.S. Bach St. John Passion (Irish Chamber Orchestra); Other Shakespearean Dreamers (Liceu, Barcelona). Future engagements include Oberon/ A Midsummer Night’s Dream (Garsington Opera) and J.S. Bach Cantata 106 (Atlanta Symphony Orchestra). Recordings include J.S. Bach St. John Passion (RTE); Dove The Adventures of Pinocchio (Opus Arte DVD); In Tune (BBC Radio 3).

Joseph Cornwell

Joseph Cornwell

Tenor

Ugone

Joseph trained at GSMD. Operatic roles include Eumete/ Il ritorno d’Ulisse (Teatro Real, Madrid); Orfeo/ L’anima del filosofo (Atelier Lyrique de Tourcoing); Il Conte/ Le nozze di Dorina (Musikfestspiele Potsdam Sanssouci); Snout/ A Midsummer Night’s Dream (Teatro Di San Carlo, Naples); Polimone/ Il Tito (Opéra national du Rhin). Joseph’s recent concert engagements have included J.S. Bach B Minor Mass (Capella Cracoviensis); Handel Messiah (Choeur de Chambre de Namur) and Purcell Dido and Aeneas (New London Consort). He has also appeared on a number of recordings including Handel Israel in Babylon (K617); Monteverdi Vespers 1610 (DG); Mozart Mass in C Minor (Erato); Purcell King Arthur (Glossa); Vivaldi Arsilda, regina di Ponto (CPO).

Andrew Slater

Andrew Slater

Baritone

Lotario

For the last thirty years Andrew has been singing principal roles with UK opera companies. Thanks to the solid singing technique provided by the RNCM in the 1980s his voice has remained fresh as the odd grey hair has arrived, and he now looks and sounds ideal for the low voice roles of nobility or malevolence which abound in the repertoire. He is also good as the fat funny bloke. There is, in fact a role to suit him in almost every opera. He is eternally good humoured – taking as a blessing that his job is the activity he would do for fun around a conventional career. Married to a soprano whose international career allows him to travel the world in style, he also teaches a bit at the University of Huddersfield.

“An astonishing achievement… the theatricality emerges with effortless artifice.”

Sunday Times

“Director James Conway perfectly hits the mark with his vibrant production”

The Independent

“Vocally, it’s exceptionally strong.”

The Guardian

“The elusive mood of Flavio…is beautifully conveyed, especially by Paula Sides, a pinpoint-accurate high soprano, and Carolyn Dobbin, a warm-toned mezzo with a mischievous comic touch”

The Times

“Well worth catching”

The Stage

Showing At

  1. Britten Theatre, Royal College of Music, London
    15th Oct 2009 - 7:30 pm
  2. Britten Theatre, Royal College of Music, London
    21st Oct 2009 - 7:30 pm
  3. Malvern Theatres
    27th Oct 2009 - 7:30 pm
  4. Exeter Northcott Theatre
    3rd Nov 2009 - 7:30 pm
  5. Snape Maltings Concert Hall
    14th Nov 2009 - 7:30 pm
  6. Cambridge Arts Theatre
    17th Nov 2009 - 7:30 pm

Your Comments

  1. 23rd October
    I really enjoyed Flavio at RCM on the 21st. Great singing, staging etc. I felt I should go to support as I was one of your leading ladies (Lady Bilows)in 1992 I think. Martyn Brabbins conducted.

    I teach in an opera room at JDRCM, but was displaced temporarily because of you !

    Said Margaret Maguire at 15:35pm on 23rd Oct 2009

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